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The fine artist is often unaware that his patron, or more often his patron’s wife who leafs through the magazines, is living in a different world to his own. The pop-art of today, the equivalent of the Dutch fruit and flower arrangements, the pictures of second rank of all Renaissance schools, and the plates that first presented to the public the Wonder of the Machine Age and the New Territories, is to be found in today’s glossies – bound up with the throw-away object” – Alison and Peter Smithson, catalogue of Pop Art, Royal Academy of Arts, London, 1991.
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