"Advertising's immediate goal is to sell artefacts and various kinds of products, but its long range goal is to turn people's attention away from their exploitation and justify the existence of a capitalist economic system." - Arthur Asa Berger, (2009), What Objects Mean: An Introduction to Material Culture, Walnut Creek, Left Coast Press.
Pic - Statue of Karl Marx in Addis Ababa.
Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts
Sunday, June 17, 2012
Wednesday, February 8, 2012
The Humanities Whistle Stop Tour; Benin to Greece
Along with my fellow students, I am now at the halfway point of the AA100 module, and the whistle stop tour of all points of humanities continues. In the next few weeks we will be studying...
Cultural Encounters : Changing relations between Europe and Africa and the art of Benin
Cultural exemptions and the Musqueam people of Canada
World short stories
The transmission of medical knowledge from Greece to Europe via the Middle East
Seamus Heaney's translation of Sophocles' Antigone : The Burial At Thebes
Everything is going well so far. Although our tutor had told us it is not compulsory to hand in every essay, I feel I am getting better value from the course and building my skills better by doing all the work possible. So far with four essays handed in and marked I'm just a fraction off a Distinction grade.
There are two essays from this section of the module, on the art of Benin and cultural encounters, then either cultural exemptions and the Musqueam people or the contribution of the chorus in The Burial At Thebes. So far when we have had a choice of essays I have tried to go for what seems the harder of the two choices. My thinking here is that this is only a level one module so it would be good practise the mentally stretch myself whenever possible.
One aspect of student life that makes learning today so easy is the huge wealth of information via the internet, I kid you not, Melvyn Bragg and the In Our Time guests on Radio 4 are helping me enormously. Having a group of renowned academics discussing the topic you are composing an essay on is a fantastic help. Other great sources for research are Internet Archive and Project Gutenberg with their vast collections of texts, audio and picture files. The Open University also gives us access to its vast online library system, so big that sometimes it feels like diving into an ocean of information to find a single pearl of knowledge. It is quite possible to get hopelessly lost / bogged down when searching the seemingly endless OU databases for something you hope to be relevant.
The Benin section is fascinating, and I am very much enjoying the way that the chapters are now drawing the various disciplines of humanities together. In the the two chapters on cultural encounters and Benin we start with straight history, then combine it with the history of art and a hint of religious studies, then mix in a bit of philosophy at the end.
This section of the course feels like real university work, I had little idea what was meant by the phrase 'cultural exemptions' before this and if asked to describe the philosophical mindset behind 'difference-blind liberalism' a blank and uncomprehending look may well have ensued. It is all good stuff though, I'm still loving the work. Onwards and upwards as my tutor says.
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| A Benin bronze plaque |
Cultural Encounters : Changing relations between Europe and Africa and the art of Benin
Cultural exemptions and the Musqueam people of Canada
World short stories
The transmission of medical knowledge from Greece to Europe via the Middle East
Seamus Heaney's translation of Sophocles' Antigone : The Burial At Thebes
Everything is going well so far. Although our tutor had told us it is not compulsory to hand in every essay, I feel I am getting better value from the course and building my skills better by doing all the work possible. So far with four essays handed in and marked I'm just a fraction off a Distinction grade.
There are two essays from this section of the module, on the art of Benin and cultural encounters, then either cultural exemptions and the Musqueam people or the contribution of the chorus in The Burial At Thebes. So far when we have had a choice of essays I have tried to go for what seems the harder of the two choices. My thinking here is that this is only a level one module so it would be good practise the mentally stretch myself whenever possible.
One aspect of student life that makes learning today so easy is the huge wealth of information via the internet, I kid you not, Melvyn Bragg and the In Our Time guests on Radio 4 are helping me enormously. Having a group of renowned academics discussing the topic you are composing an essay on is a fantastic help. Other great sources for research are Internet Archive and Project Gutenberg with their vast collections of texts, audio and picture files. The Open University also gives us access to its vast online library system, so big that sometimes it feels like diving into an ocean of information to find a single pearl of knowledge. It is quite possible to get hopelessly lost / bogged down when searching the seemingly endless OU databases for something you hope to be relevant.
The Benin section is fascinating, and I am very much enjoying the way that the chapters are now drawing the various disciplines of humanities together. In the the two chapters on cultural encounters and Benin we start with straight history, then combine it with the history of art and a hint of religious studies, then mix in a bit of philosophy at the end.
This section of the course feels like real university work, I had little idea what was meant by the phrase 'cultural exemptions' before this and if asked to describe the philosophical mindset behind 'difference-blind liberalism' a blank and uncomprehending look may well have ensued. It is all good stuff though, I'm still loving the work. Onwards and upwards as my tutor says.
Friday, October 28, 2011
Tuesday, September 27, 2011
Then Hercules said, "You just listen to me, and stop playing the fool. You have come to the place where the mice nibble iron." Apocolocyntosis, Lucius Annaeus Seneca.
Pic - Sculpture of Lucius Annaeus Seneca by Puerto De Almodovar in Cordoba.
Monday, June 27, 2011
The Nude
“The nude does not simply represent the body, but relates it, by analogy, to all structures that have become part of our imaginative experience” – Kenneth Clark
Wednesday, May 25, 2011
Saturday, May 21, 2011
House – Rachel Whiteread
This piece also speaks to me of denial, denial of the traditional house values of being a home, a refuge from the world and a place of safety. Whiteread has denied all access to House, rendering the viewer effectively homeless. - Yorkshire Soul.
Tuesday, May 3, 2011
Art Makes Civilization
“Esthetic experience is a manifestation, a record and celebration of the life of a civilization, a means of promoting its development, and is also the ultimate judgement upon the quality of a civilization.” - John Dewey
The Philosopher’s Handbook, Ed. Stanley Rosen, Random House Reference, 1st Ed, 2003, ISBN 0-375-72011-1
Bronze sculpture, thought to be either Poseidon or Zeus, National Archaeological Museum of Athens
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